collider pedal Source Audio Collider Delay+Reverb – Guitars Rebellion
SKU: 35450099307
collider pedal

collider pedal Source Audio Collider Delay+Reverb – Guitars Rebellion

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Description

collider pedal Source Audio Collider Delay+Reverb – Guitars RebellionSource Audio strengthens its range in the "power users" segment with its Collider Delay + Reverb, a "combo" pedal that combines the two effects in the same box. Enough to satisfy nomadic guitarists and those looking for maximum power in a minimum of space. With the Collider Delay+Reverb, the Boston brand a complete, technological and ultra sharp bi effect processor. Source Audio has taken over the platform created with the Nemesis Delay and the

Source Audio strengthens its range in the "power users" segment with its Collider Delay + Reverb, a "combo" pedal that combines the two effects in the same box. Enough to satisfy nomadic guitarists and those looking for maximum power in a minimum of space. With the Collider Delay+Reverb, the Boston brand a complete, technological and ultra-sharp bi-effect processor. Source Audio has taken over the platform created with the Nemesis Delay and the Ventris Reverb to create this superb and overpowering machine. The Source Audio Collider is: 5 distinct delays and 7 reverbs, 128 MIDI presets, stereo in & out, the possibility of being able to transform it into dual reverb or dual delay and to edit even more functions through the Neuro Mobile app and much more…

Externally, we are entitled to a very elegant brushed aluminum chassis. The assembly is perfect, the compact format and the handling very intuitive. Inside, there are high quality PCBs based on the SA601 architecture, as well as two 56-bit SIGMA DSPs developed by Analog Devices Inc. At Source Audio, it's not kidding, the brand wants to be at the forefront of audio technologies, the architecture used offers computing power and processing quality that very few brands benefit from.
The pedal's dual DSP architecture therefore provides massive computing power, which makes it easy to integrate functions such as spillover, combined effects on both channels and rich and complex ranges.

In concrete terms, the pedal offers you 12 on-board effects, as well as many new functions available via the Neuro application. In the program:

REVERB

Room — Captures the full complexity of a room's natural reverberation. The ROOM engine can recreate a variety of room sizes, from a small room to an intimate space, to a theater-like space.
Hall L — Designed with the best racks of the 80s as a base, the Hall L engine is characterized by a very diffuse and explosive reverb (bloom). The Source Audio team has invested considerable time to perfectly capture the most complex sounds of these legendary effects processors.
True Spring — Source Audio's Bob Chidlaw has worked long and hard to perfectly capture all the specifics of a vintage reverb tank. sweet sounds of a vintage reverb tank. The result is an exceptionally realistic effect with the famous “doiinnng” that can be heard in amplifiers equipped with a spring reverb. This very particular rendering is in the True Spring more than on any other reverb on the market.
Plate — A meticulous simulation of vintage plate reverbs from the 50s and 60s. It reproduces the simple yet beautiful sound of a sound sent over a large, suspended sheet metal plate.
Shimmer — This pitch-shifted reverb blends Room reverb and octave-up for an angelic sound. Connect the Shimmer engine to the Neuro Desktop Editor and go octave higher to many other intervals. Hold the Option footswitch for a creative pitched dive-bomb effect.
E-Dome — The cavernous E-DOME (aka “Enormo-Dome”) produces a very deep and slow reverb, with a very “lush” and enveloping modulation. With the E-Dome, you have one of the most massive reverb possible. Ideal for ambient and other complex pads.
Swell — This engine applies a fade-in effect to your dry signal, which is then sent into the reverb which generates an atmospheric effect.

DELAY

Digital — A classic, very clean digital delay with modulation effect and pristine repeats.
Analog — The classic bucket brigade analog delay sound. Warm, dense, resonant and deconstructs into a lo-fi effect over time.
Tape — A detailed replica of classic tape (multi-head) delays. The tape captures all the characteristics that give the tape machine (Echoplex, Space Echo…) that unique warmth, complexity and modulation that many guitarists are fans of. All the parameters are present: the detune, the age and the wear of the band, the noise, the variations etc…
Reverse — The classic reverse tape delay sound made popular by a number of iconic psychedelic guitarists. The Tone knob allows you to create multiple reverse delays that overlap and merge evenly to create a pulsing tremolo effect.
Oil Can Delay — This is a rather dark, unstructured and distorted delay, inspired by the old designs created by Tel-Ray / Morley that could be found in the Fender Echo Reverb, Fender Dimension IV and the Gibson Reverb Echo for to name just a few. He recreated the sound of this kind of sardine box equipped with an oiled and electrostatically charged rotating disc.

The Collider offers a wide range of effects that will meet most guitarist needs of everyone. Connected, the Collider generally takes up some of the sounds of the Ventris and the Nemesis and benefits from the same sound signature typical of the brand: organic, very dense. There is thickness within the effect. This one, whatever the selected mode, never sounds "thin" but on the contrary, very rich, with a wide spectrum and a very nice spatialization. Very few machines on the market can boast of such quality. The notes are plain, defined, with an immediately identifiable sound signature. THE sound signature of the Collider is this organic, very natural side that emerges from the effect when it is played. It surrounds you, you look for its smallest details and you literally lose yourself in all the beautiful effect layers and delays it can create. A truly impressive machine with disconcerting ease of use.

The Source Audio Collider Delay+Reverb is a remarkable machine that benefits not only from a solid architecture, but also from ultra-quality effects and almost limitless possibility thanks to the application which offers a power rarely seen. A reference of the genre that every fan of reverb and delay must have. It will be a unique asset for those who want to keep a small pedalboard.
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SKU: 35450099307

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4.8 ★★★★★
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K
Verified Purchase
Kindle Customer
Grantham, US
★★★★★ 5
Excellent mini series.
Format: Kindle
This is an excellent follow up to Vader Down. Luke Skywalker and friends take on a bigger threat than The Empire and Darth Vader that is connected to the Jedi. Luke and Dr. Aphra join forces to find the answers Like is seeking. Truly worth reading and entertaining.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 23, 2019
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Ryan of the East Coast
Phoenix, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
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Kris
Charlottesville, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
A
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Alex Lamberd
Houston, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014
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Logan Fogg
Alexandria, US
★★★★★ 5
MUST READ
Format: Kindle
Best Batman! This and the long Halloween are peak! Listening and reading the dc high vol on spotify is amazing
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 16, 2025

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